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Mirrors

from Ucow by Stead

/

lyrics

Let me in, I’m back
dragging all the chances i could miss
every single fault
every little thing that didn’t work
please keep ’em all next to me,
nearby the mirror

Let me in … I’m back
just a little more deluded than before
sorry if I’m wet,
I’ve been watering wings with loads of tears
and all the promises we made to the mirror

Don’t look back again
it’s in the past, it couldn’t last
Never hide that frown
it wouldn’t be happiness
just what they do when they lie to the mirror

Don’t look back again
it’s in the past, it never lasts
Never hide that frown
now that fairness hardly shows up …
but it hides in the mirror

credits

from Ucow, released December 8, 2018
Stead, Ucow © Fbm, 2018

mastered by alex gordon (abbey road studios) in london (uk)
mixed by jeff knowler (jak sound) in london (uk) *
produced by stefano antoci d’agostino and giuliano dottori
* “ej, outsize wingspan” engineered by andreas laudwein
all lyrics and music written by stefano antoci d‘agostino
album concept, artwork, photos & videos by ivan louis laremi
drawings by jasmine de gobbi

recorded at home deptford, london (uk) by stefano antoci d’agostino and at jacuzi studio, milan / la porcilaia studio, cupramontana (it) by giuliano dottori **

stefano antoci d'agostino: voice, guitars, piano, organ, drums, percussions, harmonica, programming, background vocals and a few more things // giuliano dottori: synth, bass, drums, programming, keys, percussions, additional guitars and some other stuff // francesco saverio gliozzi: cello // additional background vocals on most songs by Andrea Rodini

** bass on “riverlike” + akai, additional gtr on “pledge” recorded/performed by marco tiberini in malmoe, se // beat programming on “pledge” recorded & performed by massimiliano galli in dublin, irl // background vocals on “mirrors” recorded & performed by julia a. noack in berlin, de // bass, drums, programming on “ej, outsize wingspan” recorded & performed by andreas laudwein in leipzig, de

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about

Stead London, UK

A rough mixture of Nu-Folk, Lo-Fi Pop, Indie Rock and uncomfortable meanings ... in "a bunch of songs that, born all around the world, show a very international flavour" (Rolling Stone)

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